Christina Rossetti's text reflecting on death is sensitively set with clear, lyrical melodic lines supported by an a cappella choral texture that your experienced singers will appreciate.
This joyful tune about new beginnings and the happiness of being in love is presented with a gentle lilt and deliberate choral writing that never obscures the text. Accessible and enjoyable to
Lauridsen's Ave Verum Corpus for choir, string orchestra or organ, with finger cymbals joins a catalog of works that are performed throughout the world. The traditional Latin text is expressed witn
Inspired by William Byrd’s Kyrie from his Mass for Four Voices, this work creates beautiful atmospheric music reminiscent of the Renaissance but with a new perspective including shifting
Written in the winter of 2018, this piece is an homage to Palestrina inspired by Missa Papae Marcelli. The opening begins with straight imitation in all six parts and moves to flowing polyphonic
Composed as a tribute to the victims of the global refugee crisis, this piece utilizes modern a cappella harmonies, cluster chords and chant-like melodies to create a gorgeous setting of the Latin text from
Glassy harmonies shimmer in this evocative piece for a cappella divisi choirs. The use of the single Latin word "caritas" throughout creates a setting reminiscent of a tone poem about the overcoming and
Gerard Manley Hopkins' poem is a discourse on the longing for peace; a concept challenging to find amidst war in our world. The musical setting portrays a sense of longing with shifting rhythms, restless
A modern a cappella setting of the traditional Latin text is infused with whispered sections of the "Hail Mary" prayer in English and Spanish that layer with the lush choral harmonies. Mostly polyphonic,
This bittersweet poem by Christina Rossetti gives a haunting sense of beauty and sorrow which is intertwined with lovely free tonalities, shifting meters and extended divisi in the music.
"Sure on this shining night of starmade shadows round, kindness must watch for me this side the ground..." In this third movement of his song cycle Nocturnes, Morten Lauridsen's flowing music